Uma Galera

A Look Back on 2016: September

Featured Artists: 30Vice, Carly Jo Jackson, Ella Herrera, Raquel Sofia, Sight Set, Sunny South, Uma Galera, Ball and Chain Music Festival and Guitars Over Guns

Ok, now that the holidays are over, as well as end of year assignments of photographing bands have been completed, I can resume my 2016 Year in Review articles. This time around I'm featuring my favorite images from the month of September. I had the good fortune of photographing the Ball and Chain Music Festival for the second year in a row and I had such an incredible time.

I'm a big advocate of music education, especially in elementary, middle and high schools. Affiliations such as Guitars Over Guns is one of those organizations that I support because I strongly believe that Music and Art classes are important to child's cognitive development. There was a special performance in Miami which featured the Guitars Over Guns Alumni Band and Latin Grammy nominated artist Raquel Sofia.

During the month I had an opportunity to photograph some new artists in South Florida such as Ella Herrera, Sight Set and Sunny South. In addition to that, I also photographed recurring artists like Uma Galera, 30Vice, and Carly Jo Jackson. Enjoy the images!


Ball and Chain Music Festival

AARON LEBOS REALITY

BARRIO ACTIVO

CALLE SOL

CONJUNTO PROGRESO

ELECTRIC KIF

ELECTRIC PIQUETE

FABI

GENE PAUL

LEMON CITY TRIO

LUCY GRAU

OIGO

PEPE MONTES CONJUNTO

THE POLITIX

SONLOKOS

TONY SUCCAR


Living Room Series

with Raquel Sofia and Guitars Over Guns Alumni Band


30VICE

CARLY JO JACKSON

ELLA HERRERA

SIGHT SET

SUNNY SOUTH

At Kill Your Idol

At Cutler Bay Sports Bar

UMA GALERA

A Look Back on 2016: July

Featured Artists: Above The Skyline, Anna Palmerola, Bachaco, Carly Jo Jackson, Chantil Dukart, Chloe Dolandis, Feneiva, Jahfe, Juke, Ordinary Boys, Robbie Elias, Raquel Sofia, Sekond Nature, Suenalo, The Deltaz, and Uma Galera

The month of July was the busiest month for me in 2016 because of the number of artists I covered in Miami. There were three events where multiple artists performed respectively, and a tandem of brothers came back to Miami as part of their tour. There were new connections made with new artists and continued cultivating current ones. Enjoy the month of July!

It's Better Live

Robbie Elias

Raquel Sofia

Mau Y Ricky

CNCO

Dvicio

BBQ at the Yard

Robby Hunter

Zach Deputy

Indie Music Showcase


Above The Skyline

Anna Palmerola

Carly Jo Jackson

At Bodega

At Nikki Beach Miami

At Titanic Brewery

At World of Beer - Kendall

Chantil Dukart

Chloe Dolandis

Feneiva

At Bodega

At Nikki Beach Miami

Jahfe

Juke

Ordinary Boys

Sekond Nature

Suenalo

The Deltaz

Uma Galera

Adding a little light here and there

I'm strongly considering the idea of adding my career title to Lighting Consultant to go along with being a Music Photographer. I don't know the budget of a restaurant/bar that offers live entertainment. But having proper or decent lighting is an investment needs to be looked into further for the performing artists that play there at least. I'll give two examples.

Example one: this past Tuesday I photographed the band Chase The Jaguar at Sweet Liberty Drinks & Supply Company in South Beach. The establishment is very cozy, has tremendous ambiance and does have live entertainment. The only issue is that when a musical act performs there, hardly any light is on the talent except for the ambient light. In my camera bag I use three lenses and two of them (50mm & 85mm, both F1.8 by the way) are fast lenses which can be used in low-light situations.

I would only use my flash for extenuating circumstances like Sweet Liberty when the ambient light is VERY low. The band did have a couple of strip lights but those were positioned on either side of the drummer pointing upward. But still there wasn't sufficient light to properly light the entire group. So I had to use my flash. I was at Sweet Liberty a couple of months ago to photograph singer Angela Laino. There was a little more light on her and the band but I did not use flash on that occasion.

Example two: for Cinco de Mayo this year I went to Cafeina Wynwood Lounge in the Wynwood District of Miami to photograph two bands: Uma Galera and Elastic Bond. The open air lounge has a great atmosphere and plenty of room to enjoy and see live in entertainment. My first experience at Cafeina was November 2015 when singer/songwriter Raquel Sofia played there a week before the Latin Grammys (Yes, whenever I mention her name her song "Yo Te Amo Idiota" immediately comes to mind.). Anyway, back to the Cinco de Mayo experience. When I arrived I was expecting there to be stage lights to some degree. Boy was I wrong.

When Uma Galera got on stage there was only one light and that was on the drummer. The rest of the group was in the dark, literally in the dark. I even posted an image of it on Instagram. I asked Cafeina management if anymore light can be used and directed towards the band. He brought out a small round light fixture, plugged it in and directed it towards the microphone from the ground up. That effect causes a horror movie lighting reaction, which is not the best lighting especially when you have to photograph a woman in a band. So in that circumstance I had no choice but to use flash.

From those two examples, I've never forgottenwhat Milton Ponce, percussionist for Uma Galera, told me two weeks after that performance. He said to me that bands (playing in Miami) have the option of bringing in their own sound engineer and/or lighting engineer. The facility will not provide either unless it's locations like Ball & Chain in Little Havana where they provide both. I understand that you want to keep the mood/ambiance of your facility, but it's also nice to see who is performing in front of you.

I repeat, I don't know what a restaurant's budget is for live entertainment much less having the lights for the talent. But it does make for good exposure (pun intended) when decent lighting is placed on the talent. It also makes my job as a photographer, along with other photographers and videographers, better and effective when there's proper lighting on the talent to get the best image of the performing artist. Better lighting = better images/videos = better performances and performance memories.

Each establishment is different and their respective budgets are equally as unique. I'm not saying that those businesses need to shell out thousands of dollars in lighting like a concert hall. But just a little bit of light to showcase the talent so the audience can see them better will go a long way.